All articles by Andrew Berman of Village Preservation

The long cultural and musical history of Jimi Hendrix’s Electric Lady Studios in Greenwich Village

Jimi Hendrix, via Wiki Commons

November 30, 2017

The long cultural and musical history of Jimi Hendrix’s Electric Lady Studios in Greenwich Village

By Andrew Berman of Village Preservation

Jimi Hendrix would have turned 75 this week. In his brief 27 years and even briefer musical career, Hendrix left an indelible mark upon guitar playing and rock music, permanently transforming both art forms. But perhaps in some ways his most lasting impact came from a project completed just three weeks before his death--the opening of Electric Lady Studios at 52 West 8th Street in Greenwich Village. On August 26th, 1970, the studio opened, the only recording artist-owned studio at the time. It provided Hendrix with affordable studio space that would also meet his personal technical and aesthetic specifications. Kicked off by an opening party near summer’s end, Electric Lady Studios was the location of Hendrix's last-ever studio recording--an instrumental known as "Slow Blues"--before his untimely passing on September 18, 1970. Fortunately, this was only the beginning of the studio’s incredible run recording some of the greatest rock, hip hop, and pop albums of the last nearly half-century and only the latest incarnation of one of the Village’s most unusual and storied structures.
The whole history here

History

Jewish gangsters, jazz legends, and Joy Division: The evolution of the Ukrainian National Home

The Stuyvesant Casino in 1945, via the Swedish Buck Johnson Society (L); The Ukrainian National Home Today, via Wally Gobetz/Flickr (R)

November 16, 2017

Jewish gangsters, jazz legends, and Joy Division: The evolution of the Ukrainian National Home

By Andrew Berman of Village Preservation

On 2nd Avenue, just south of 9th Street at No. 140-142, sits one of the East Village's oddest structures. Clad in metal and adorned with Cyrillic lettering, the building sports a slightly downtrodden and forbidding look, seeming dropped into the neighborhood from some dystopian sci-fi thriller. In reality, for the last half century the building has housed the Ukrainian National Home, best known as a great place to get some good food or drink. But scratch the surface of this architectural oddity and you'll find a winding history replete with Jewish gangsters, German teetotalers, jazz-playing hipsters, and the American debut of one of Britain's premier post-punk bands, all in a building which, under its metallic veneer, dates back nearly two centuries.
Learn this fascinating history

History

Artist aeries: Touring downtown’s ‘studio windows’

Artist’s studios on Bleecker Street, via GVSHP

November 9, 2017

Artist aeries: Touring downtown’s ‘studio windows’

By Andrew Berman of Village Preservation

With fall’s arrival and the turning back of the clocks, sunlight becomes an ever more precious commodity. Perhaps no New York living space is more centered around capturing and maximizing that prized amenity than the artist’s studio, with its large casement windows and tall ceilings. So with sunlight at a premium, let’s conduct a brief survey of some of the most iconic artist’s studio windows in the Village and East Village.
But first, a little history

‘The Alamo’ turns 50: A history of the Astor Place cube

1980s photo of the Alamo surrounded by mural, vendors, & musicians. © Greenwich Village Society for Historic Preservation Image Archive.

November 2, 2017

‘The Alamo’ turns 50: A history of the Astor Place cube

By Andrew Berman of Village Preservation

On November 1, 1967, an enigmatic 20-foot-tall cube first appeared on a lonely traffic island where Astor Place and 8th Street meet. Though several months before the release of "2001: A Space Odyssey," the one-ton Cor-Ten steel sculpture shared many qualities with the sci-fi classic’s inscrutable "black monolith," at once both opaque and impenetrable and yet strangely compelling, drawing passersby to touch or interact with it to unlock its mysteries. Fifty years later, Tony Rosenthal’s "Alamo" sculpture remains a beloved fixture in downtown New York. Like 2001’s monolith, it has witnessed a great deal of change, and yet continues to draw together the myriad people and communities which intersect at this location.
Learn about the cube's entire 50-year legacy

Rare photos of the High Line being demolished in the 1960s tell the story of a changing West Village

Crane with wrecking ball mounted on the trestle. Photo by Peter H. Fritsch (1962). Photo courtesy of the Greenwich Village Society for Historic Preservation/Fritsch Family Collection.

October 26, 2017

Rare photos of the High Line being demolished in the 1960s tell the story of a changing West Village

By Andrew Berman of Village Preservation

Few structures have had a more far-reaching impact upon the West Village and Chelsea than the High Line. Its construction in 1934, then partial demolition in the early '60s, and final preservation and conversion into a park a decade ago have profoundly shaped the way these neighborhoods have changed over the last 85 years. And while photos of its heyday and those of it today as an internationally recognized public space are plenty, few exist of those interim years. But GVSHP recently acquired some wonderful images of the High Line being demolished in 1962 at Perry Street, donated by the Fritsch Family who lived nearby at 141 Perry Street. The Fritschs’ photos say a lot about how the High Line, and its demolition, changed the West Village. It’s apparent from the images just how much more industrial, and gritty the Far West Village was in those days. But it also shows how the demolition of the High Line left a huge gap in this unpretentious neighborhood, which housed both disappearing industry and a diverse and vital residential community.
See the other photos and learn the whole history

History

October 19, 2017

Off the grid: The little Flatiron Buildings of the Village

By Andrew Berman of Village Preservation

The Flatiron Building is one of the city’s most iconic and beloved landmarks. Since 1902 it’s been a symbol of New York, though ironically its acute angle formed by the intersection of Broadway and Fifth Avenue makes it an unusual sight in our otherwise orthogonal city on a grid. But while the Flatiron Building may be the most famous product of quirky street angles, it’s far from the only one. In fact, the "off-the-grid" streets of Greenwich Village and the East Village contain scores of them, most of which pre-date the 23rd Street landmark.
Take a tour of the little Flatirons

Lorraine Hansberry’s Greenwich Village: From ‘A Raisin in the Sun’ to civil rights

Google Street View of 337 Bleecker Street

October 12, 2017

Lorraine Hansberry’s Greenwich Village: From ‘A Raisin in the Sun’ to civil rights

By Andrew Berman of Village Preservation

Lorraine Hansberry, the trailblazing playwright, activist, and Nina Simone song inspiration was perhaps most closely associated with Chicago. But in fact she lived, went to school, and spent much of her life in Greenwich Village, even writing her best known play "A Raisin in the Sun" while living on Bleecker Street. And shortly a historic plaque will mark the site of her home on Waverly Place.
Learn the full history here

Uncovering the sites of the South Village’s secret ‘Little Italy’

Caffe Reggio, via Prayitno/Flickr

October 5, 2017

Uncovering the sites of the South Village’s secret ‘Little Italy’

By Andrew Berman of Village Preservation

Many think of Little Italy’s Mulberry Street or the Bronx’s Arthur Avenue as the centers of Italian-American life and culture in New York. But some of the most historically significant sites relating to the Italian-American experience in New York can be found in the Greenwich Village blocks known as the South Village--from the first church in America built specifically for an Italian-American congregation to the cafe where cappuccino was first introduced to the country, to the birthplace of Fiorello LaGuardia, NYC's first Italian-American mayor.
All the historic sites right this way

History

September 28, 2017

Iconic album covers of Greenwich Village and the East Village: Then and now

By Andrew Berman of Village Preservation

There’s no shortage of sites in the Village and East Village where great makers of popular music lived or performed. Less well known, however, are the multitude of sites that were the backdrop for iconic album covers, sometimes sources of inspiration for the artists or just familiar stomping grounds. Today, many are hiding in plain sight, waiting to perform an encore for any passersby discerning enough to notice. Ahead, we round up some of the most notable examples, from "The Freewheelin' Bob Dylan" to the Ramones' self-titled debut album.
Learn about the covers and see what the locations look like today

History

From Willem de Kooning’s loft to the threat of the wrecking ball: The history of 827-831 Broadway

827-831 Broadway today via Wiki Commons (L); Willem de Kooning in his Fourth Avenue studio, April 1946. Harry Bowden, photographer. Harry Bowden papers, Archives of American Art, Smithsonian Institution.Via The Willem de Kooning Foundation. (R)

September 21, 2017

From Willem de Kooning’s loft to the threat of the wrecking ball: The history of 827-831 Broadway

By Andrew Berman of Village Preservation

Underneath the lyrical and much-admired sherbet-colored facades of the twin lofts at 827-831 Broadway lies a New York tale like no other. Incorporating snuff, sewing machines, and cigar store Indians; Abstract Expressionists; and the “antique dealer to the stars,” it also involves real estate and big money, and the very real threat of the wrecking ball. Ahead, explore the one-of-a-kind past of these buildings, which most notably served as the home to world-famous artist Willem de Kooning, and learn about the fight to preserve them not only for their architectural merit but unique cultural history.
Get the entire history

How Alphabet City’s ‘milk laboratory’ led to modern pasteurization

By Andrew Berman of Village Preservation

The utilitarian building at 151 Avenue C between 9th and 10th Streets would hardly elicit a second glance from the casual passerby today. But its unassuming looks belie the incredible story of how Gilded Age science and philanthropy converged here to save thousands of children’s lives. In the 1800s, intestinal infections and diseases like tuberculosis caused by bad milk was running rampant in the city's child population, especially in poor communities like the Lower East Side. To combat the problem, Macy's co-owner Nathan Straus instituted a program to make pasteurized milk affordable or even free. And on Avenue C, he set up a “milk laboratory” to test the dairy and distribute millions of bottles.
The whole history here

History

August 24, 2017

How LGBT activism led to NYC’s most notorious bank robbery: The real story behind ‘Dog Day Afternoon’

By Andrew Berman of Village Preservation

The most notorious bank robbery in New York City history took place on August 22, 1972, during the decidedly dog days of that long hot summer. Immortalized in the film "Dog Day Afternoon," it was an unlikely anti-hero tale with a backstory that began in Greenwich Village, interwoven with the social and political currents running through the city at the time, most notably the growing LGBT movement that had taken hold after the Stonewall Riots.
Get the whole surprising history this way

History

A 15-year-old Greenwich Village student inspired the hit song ‘Summer in the City’

Image via Wiki Commons

August 17, 2017

A 15-year-old Greenwich Village student inspired the hit song ‘Summer in the City’

By Andrew Berman of Village Preservation

Everyone knows the folk-rock classic "Summer in the City" by the Lovin’ Spoonful, which topped the charts 51 years ago this August in 1966. But fewer know the song’s roots in Greenwich Village--lead singer John Sebastian actually grew up in the neighborhood and the act got their start in the local clubs--and fewer still know a 15-year-old Village student was responsible for a significant part of its composition.
Get the whole story

History

The Village’s Twin Peaks: From a quirky ‘Swiss-chalet’ to a landmarks controversy

102 Bedford Street in 2015 (left) via Wiki Commons, and as of today, via GVSHP

August 10, 2017

The Village’s Twin Peaks: From a quirky ‘Swiss-chalet’ to a landmarks controversy

By Andrew Berman of Village Preservation

Few buildings capture the whimsy, flamboyance, and bohemian spirit of early 20th century Greenwich Village as does the building known as "Twin Peaks" at 102 Bedford Street. Described as a "wonderfully ludicrous mock half-timbered fantasy row-house castle" by architecture critic Paul Goldberger, the present incarnation of the building was born in 1925 as a radical remodeling of an 1830 rowhouse into a five-story artists’ studio apartment building. In the mid 20th-century, the building became even more iconic with a cream and brown paint job that mimicked its Alpine cottage inspiration. However, a more recent paint job stripped away this history, resulting in a controversial landmarks battle.
The whole story

‘Heard it through the grapevine?’ The source was probably at 6th Avenue and 11th Street

6th Avenue and 11th Street, 1905. Image via Ephemeral New York,

August 3, 2017

‘Heard it through the grapevine?’ The source was probably at 6th Avenue and 11th Street

By Andrew Berman of Village Preservation

On August 6, 1966, the first known recording of "I Heard It Through The Grapevine" was made by the Miracles. Written by Motown pioneers Norman Whitfield and Barrett Strong, the song was re-recorded several times, most famously by Gladys Night and the Pips and Marvin Gaye, whose version landed on the top of the charts for seven weeks in early 1969. But the famous saying about receiving important news or information through a person-to-person chain of communication significantly pre-dates the Motown era. In fact, plentiful evidence and credible sources say it all goes back to a beloved tavern on the corner of 6th Avenue and 11th Street in Greenwich Village.
more on the history here

History

How a 15th-century French migration gave us the term ‘Bohemian’

Greenwich Village Bohemians outside Cafe Wha in the 1960s, via Vintage Everyday

July 27, 2017

How a 15th-century French migration gave us the term ‘Bohemian’

By Andrew Berman of Village Preservation

“Bohemian” may be hard to define, but we all know it when we see it. But even in a city like New York, where bohemian can be used to describe everything from a polished West Village cafe to a South Bronx squat, few people know why exactly we today use this term, connected to a medieval Central European kingdom, to describe those with a countercultural bent.
The whole history right this way

History

All articles by Andrew Berman of Village Preservation

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