The Urban Lens: From Bob Dylan to Jack Kerouac, see rare photos of the Village’s Beat Generation

© Estate of Fred W. McDarrah

December 7, 2017

The Urban Lens: From Bob Dylan to Jack Kerouac, see rare photos of the Village’s Beat Generation

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Perhaps no single photographer could be said to have captured the energy, the cultural ferment, the reverberating social change emanating from New York City in the second half of the 20th century as vividly as Fred W. McDarrah. McDarrah got his start covering the downtown beat of the Village Voice in the 1950s and '60s, as that publication was defining a newly-emerged breed of independent journalism. McDarrah penetrated the lofts and coffeehouses of Lower Manhattan to shed light upon a new movement known as "The Beats" and went on to capture on film the New York artists, activists, politicians, and poets who changed the way everyone else thought and lived. Through the generosity of the Estate of Fred W. McDarrah and the McDarrah family, the Greenwich Village Society for Historic Preservation was fortunate enough to add to its digital archive a dozen of the most epochal of Fred McDarrah’s images of downtown icons, including Andy Warhol, Bob Dylan, Jane Jacobs, and Allen Ginsberg. And just in time for the holidays, you can purchase your own copy (with all proceeds benefitting GVSHP!).
Learn the story behind all the photos
The Urban Lens: Wayne Sorce’s vivid photos capture the spirit of 1970s and ’80s NYC

Dave’s Restaurant, New York, 1984. © Wayne Sorce courtesy of the Joseph Bellows Gallery

November 17, 2017

The Urban Lens: Wayne Sorce’s vivid photos capture the spirit of 1970s and ’80s NYC

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, the Joseph Bellows Gallery shares the late Wayne Sorce's "Urban Color" series. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Chicago-born photographer Wayne Sorce began capturing the people and places of urban landscapes while at the Art Institute of Chicago in the 1960s. In the late '70s and early '80s he took large-scale color photos of his hometown and New York, capturing "a formal exactitude, the light, structures, and palette of these cities within a certain era," according to a press release from the Joseph Bellows Gallery in L.A. where this "Urban Color" series is currently on view. Not only do the vivid colors help express the spirit of the city at this time, but the way Sorce incorporates people exposes a unique energy in which they serve as "both inhabitants, as well as sculptural forms relating to a larger composed scene." From Manhattan barbershops and restaurants to the gritty, industrial streets of Vinegar Hill, Brooklyn, the photos transport the viewer to a bygone NYC.
See all of Sorce's photos here
The Urban Lens: ‘All the Queens Houses’ tells the story of NYC’s most diverse borough

Eclectic Row. Briarwood, NY. 2017. © Rafael Herrin-Ferri

November 3, 2017

The Urban Lens: ‘All the Queens Houses’ tells the story of NYC’s most diverse borough

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Rafael Herrin-Ferri shares a portion of his photographic survey “All the Queens Houses.” Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Spanish-born architect, artist, and Sunnyside resident Rafael Herrin-Ferri began photographing Queens' low-rise housing stock back in 2012 after being struck by the borough's unique combination of attached and detached houses and small apartment buildings. Inspired by the fact that Queens is one of the most ethnically and linguistically diverse places in the world, Herrin-Ferri wanted to capture the "layers of culture and the blending of neighborhoods" through these eclectic houses. Fast forward five years and 5,000 photographs and his work is now the focus of an Architectural League of New York exhibit "All the Queens Houses," which features 273 snapshots of individual houses in as many as 34 neighborhoods. Ahead, see Rafael Herrin-Ferri's favorite of the bunch and hear from him on how he got into the project and why he loves Queens.
All that ahead
The Urban Lens: Remembering the darkness of Hurricane Sandy five years later
October 27, 2017

The Urban Lens: Remembering the darkness of Hurricane Sandy five years later

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Orestes Gonzalez shares his series "Dark Sandy," photos he took five years ago when lower Manhattan lost power during Hurricane Sandy. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. "Never had I seen Manhattan in such darkness... I had to get over there and experience this dark phenomenon with my camera," says Orestes Gonzalez of his series of photographs taken the night Hurricane Sandy hit New York City. As we now approach the fifth anniversary of the Superstorm, the photos are a reminder of how far we've come, and in some cases, how much work still needs to be done. In fact, 20% of the 12,713 families who enrolled in the city's Build it Back program are still waiting for construction to wrap up or for a property buyout. But despite some of the post-storm issues, in the wake of the disaster, Orestes remembers the "sense of camaraderie" he experienced during those dark times, a trait that New Yorkers have come to be known for.
Hear from Orestes and see the full series
Rare photos of the High Line being demolished in the 1960s tell the story of a changing West Village

Crane with wrecking ball mounted on the trestle. Photo by Peter H. Fritsch (1962). Photo courtesy of the Greenwich Village Society for Historic Preservation/Fritsch Family Collection.

October 26, 2017

Rare photos of the High Line being demolished in the 1960s tell the story of a changing West Village

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Few structures have had a more far-reaching impact upon the West Village and Chelsea than the High Line. Its construction in 1934, then partial demolition in the early '60s, and final preservation and conversion into a park a decade ago have profoundly shaped the way these neighborhoods have changed over the last 85 years. And while photos of its heyday and those of it today as an internationally recognized public space are plenty, few exist of those interim years. But GVSHP recently acquired some wonderful images of the High Line being demolished in 1962 at Perry Street, donated by the Fritsch Family who lived nearby at 141 Perry Street. The Fritschs’ photos say a lot about how the High Line, and its demolition, changed the West Village. It’s apparent from the images just how much more industrial, and gritty the Far West Village was in those days. But it also shows how the demolition of the High Line left a huge gap in this unpretentious neighborhood, which housed both disappearing industry and a diverse and vital residential community.
See the other photos and learn the whole history
The Urban Lens: Go back to the ‘mean streets’ and urban decay of 1970s NYC

The corner of Broadway and 55th Street in 1970

October 13, 2017

The Urban Lens: Go back to the ‘mean streets’ and urban decay of 1970s NYC

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Edward Grazda shares photos from the "mean streets" of 1970s and '80s NYC. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. When photographer Edward Grazda moved to New York in the early '70s, he was renting a loft on Bleecker Street for $250 a month during a time when the city was in a financial crisis, jobs were hard to come by, and places like the Bowery were facing a huge rise in homelessness. But it was also a time when a new generation of artists were beginning to move in. Instead of the tourist- and millionaire-filled streets we see today, 40 years ago they were teeming with energy. "I felt like there were many possibilities to be creative," Ed says. And with that in mind, he began shooting candids and random street scenes between personal projects in Latin American and Afghanistan. This work abroad taught him "how to make oneself invisible and blend in on the street." Just a few years ago, Ed rediscovered these black-and-white photos and noticed how different things are now, from the physical buildings to the absence of people reading newspapers. He decided to compile them into a book "Mean Streets: NYC 1970-1985," which was just released earlier this week and offers a rare look back "at that desolate era captured with the deliberate and elegant eye that propelled Grazda to further success."
See Edward's photos here
The Urban Lens: Documenting NYC’s vanishing ATMs

Outside the Lower East Side club Fat Baby

October 6, 2017

The Urban Lens: Documenting NYC’s vanishing ATMs

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Ivan Kosnyrev shares photos from his Instagram series Unreliable ATM. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. We recently shared photographer's before-and-after photos of Tribeca, a project that helped him learn about the history and present evolution of his neighborhood. Having only moved to NYC three years ago from Moscow, Ivan uses his documentary photography as a way to get acclimated with his new home. And when he wants to go outside his home base, he often does so through the lens of his Instagram account Unreliable ATM, which documents the vanishing street ATM. Not only does this disappearance represent changing times and technologies, but it's a visual reminder of how the city is losing its small businesses and culture. Ahead, Ivan shares some of his favorite ATM photos and talks about his inspiration for the project.
All that, this way
The Urban Lens: Zach Gross layers current and historic views of Penn Station

6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, photographer Zach Gross presents his series “Penn Station.” Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].

September 15, 2017

The Urban Lens: Zach Gross layers current and historic views of Penn Station

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The original Penn Station, a Beaux-Arts masterpiece completed by McKim, Mead & White in 1910, evoked the kind of grandeur one would expect upon arriving in one of the greatest cities in the world, complete with a grand facade made of massive Corinthian columns and a 15-story waiting room with a steel and glass roof. This structure was demolished in 1964 and replaced with our present version, lacking any of the architectural merit or civic design of its predecessor. But recent years have sparked a renewed interest in transforming the station into an updated and better functional transit hub, falling under a $1.6 billion plan from Governor Cuomo. Well aware of both the history and future of Penn Station, photographer Zach Gross recently completed a unique series that layers historic imagery of the site with contemporary photos. He feels that, though the station is currently dysfunctional, "there’s still hope for a grand, more unified and uplifting structure," and it's this hopeful sentiment that shines through in his work.
Hear more from Zach and see his photo series
The Urban Lens: Ash Thayer’s poignant photographs of ’90s Lower East Side squatters
September 8, 2017

The Urban Lens: Ash Thayer’s poignant photographs of ’90s Lower East Side squatters

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Ash Thayer shares intimate punk portraits of Lower East Side squatters from the 1990s. The photos are part of her collection "KILL CITY," which was recently compiled into a book and published under the same name. These days it's difficult to think of the Lower East Side as much more than a destination for bar hopping, rapidly rising rents, and general raucousness, but not that long ago the neighborhood was a place pulsating with community, character, and openness to all walks: including squatters. One such squatter who found solace in this once distinct downtown enclave was photographer Ash Thayer who came to the city in the early '90s to enroll at the School of Visual Arts, but after a series of misfortunes (e.g. a shady landlord who stole her security deposit) found herself homeless. Thayer, however, had always had an affinity with the counterculture community and it didn't take long for the kids of NYC's punk scene to lend her a hand. In 1992, she joined the See Skwat, one of several squats she'd ultimately spend eight years living in and documenting. Ahead, Thayer shares some of her emotional photography from her time at See Skwat, and she speaks to 6sqft about her experience living in what she describes as an "important piece of the unknown history of New York."
more photos inside the squats and of those who lived in them

Distinctive Homes

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The Urban Lens: ‘Fifth Avenuers’ is a visual registry of the iconic street’s vibrancy and diversity

Photos © Nei Valente

August 25, 2017

The Urban Lens: ‘Fifth Avenuers’ is a visual registry of the iconic street’s vibrancy and diversity

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment Brazilian designer and street photographer Nei Valente presents his series "Fifth Avenuers." Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Fifth Avenue: the street that divides Manhattan east to west; home to many of the world's most prestigious museums and famous buildings; high-end shopping destination; the road to Central Park; office district. There's no one way to describe the thoroughfare, nor is there one type of person associated with it. It's this vibrancy that branding designer and street photographer Nei Valente set out to capture in his new series "Fifth Avenuers." Over several months, Nei used his lunch breaks to capture "the unusual mix of tourists, blue- and white-collar professionals, and shoppers," creating "a visual registry of people and moments from one of the most iconic avenues in the world." His editorial style and candid technique is not dissimilar from that in "Newsstands," in which he documented the changing face of newsstands around the city. Ahead, Nei shares all his photos from "Fifth Avenuers" and fills us in on what went on behind the scenes.
Get it all right here
The Urban Lens: Fantastical photo manipulations reimagine Central Park and its surroundings

Image © Dionisio González

August 11, 2017

The Urban Lens: Fantastical photo manipulations reimagine Central Park and its surroundings

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6sqft’s series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Spanish artist Dionisio González presents two series of digital photos showcasing Central Park. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Architect and photographer Dionisio González has made a name for himself with his surrealist photo manipulations, which typically combine existing buildings and urban spaces with digitally drawn structures and landscapes. His latest two series take on Central Park and how the city's giant "void" relates to its surrounding skyscrapers. In his "Thinking Central Park" series, González fills the space with futuristic shelters. Conversely, in the black-and-white series "Dialectical Landscape" he adds empty spaces as aerial extensions of the park for recreation and transportation.
See them all right here
The Urban Lens: Documenting the change in Tribeca from the early 1900s to present day
August 4, 2017

The Urban Lens: Documenting the change in Tribeca from the early 1900s to present day

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Ivan Kosnyrev shares before-and-after photos of Tribeca. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. When Ivan Kosnyrev and his partner moved to Tribeca from Russia three years ago, they knew no one. To get themselves acclimated with their new home, they decided their first "friend" should be the city itself. Ivan, a philosopher by education and IT manager by profession, immersed himself in New York City guide books and blogs, getting so well versed that he eventually began giving his friends informal walking tours of the area. And when he discovered the New York Public Library's OldNYC collection, an interactive map with photos from the 1870s through the 1970s, he decided to embark on a project that he could share with even more people. After selecting a group of archival Tribeca images, he went out and took present-day snapshots of the same locations, providing a neighborhood-specific view of just how much NYC has changed (and in some cases, hasn't!) over the past 100 years.
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The Urban Lens: Niv Rozenberg’s graphic images highlight Bushwick’s diverse housing
July 28, 2017

The Urban Lens: Niv Rozenberg’s graphic images highlight Bushwick’s diverse housing

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, photographer Niv Rozenberg shares his series "Boswijck," an artistic depiction of Bushwick's houses. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Originally from Israel, Niv Rozenberg has been living in Bushwick for the past couple years. During this time, he became fascinated by the neighborhood's colorful homes. Taking a literal and figurative approach to "colorful," he set out to showcase Bushwick's architectural and cultural diversity. While doing some research for the project, he learned that the original 17th-century Dutch name for the area was Boswijck, meaning "little town in the woods." Choosing this as his series title, he then juxtaposed the historic moniker by visually isolating each building and employing Pantone colors to turn them and their backgrounds into graphic images.
Hear from Niv and see all his images
Explore the history of human communication through 100 Barclay’s ceiling murals
July 27, 2017

Explore the history of human communication through 100 Barclay’s ceiling murals

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This post has been sponsored by 100 Barclay. To learn more about available condos or to schedule a tour, visit the official 100 Barclay website. Much attention has been given to the landmarked 100 Barclay as of late thanks to a recent redevelopment of the upper floors into luxury apartments by Magnum Real Estate Group and the CIM Group. The full-block building, which sits on a site at the southern edge of Tribeca and just off the Hudson River waterfront, was originally constructed between 1923 and 1927 as the headquarters of the New York Telephone Company. Then known as the Barclay-Vesey Building (also the New York Telephone Building), the tower was the world's first Art Deco skyscraper, designed by a young Ralph Walker while he was just an associate at McKenzie Voorhees & Gmelin. Walker's design provided not only a launching pad for his own career (he soon after became a partner in his firm and later went on to become one of the country’s most esteemed architects) but the Barclay-Vesey would provide inspiration for many of New York's future skyscrapers.
explore the murals here
The Urban Lens: Tour the grimy and crime-ridden subway of 1981
July 14, 2017

The Urban Lens: Tour the grimy and crime-ridden subway of 1981

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, we share a set of vintage photos documenting the NYC subway in 1981. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Grim, gritty, grimy--these are just a few of the adjectives one could use to describe New York City in the 1980s. Homicide rates were at near-record highs, the crack epidemic had exploded, the police force had dwindled after the recession, and government mismanagement left the city on the brink of bankruptcy. At the time, a 22-year-old photographer from Florida named Christopher Morris was interning at the photo agency Black Star. According to TIME, he saw the graffiti-covered subway, dark, dank, and dangerous, as a battleground that "proved an opportunity to work on something of a domestic front line." Now an award-winning photojournalist, Morris recently rediscovered this set of shots that he took over six months in 1981, during which time he devoted himself to this unique, seedy underworld.
See his photo series ahead
The Urban Lens: Vintage NYC photos show everyday life in the 1940s
July 7, 2017

The Urban Lens: Vintage NYC photos show everyday life in the 1940s

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, we share a set of vintage photos documenting NYC in the 1940s. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. The 1940s were marked with both dark times and bright hopes. Nightly dim-outs, meant to both conserve energy and hide the skyline from possible WWII air and naval attacks, were a regular occurrence; police scuffled with citizens over race riots in Harlem and the AFL Strike on Wall Street; and President Roosevelt died. But towards the end of the decade, New Yorkers and the nation celebrated the end of the War; Times Square and Coney Island drew record crowds; and retail venues like the Fulton Fish Market and Orchard Street reached their height. Ahead, this collection of vintage photos showcases what everyday life was like in NYC in the 1940s, from the good times to the bad.
See all the photos here
The Urban Lens: Flora Borsi superimposes refused Ellis Island immigrants against modern NYC scenes
June 30, 2017

The Urban Lens: Flora Borsi superimposes refused Ellis Island immigrants against modern NYC scenes

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or place within New York City. In this installment, photographer Flora Borsi presents a timely series on immigration. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. With Trump's "anti-terror" travel ban having gone into effect Thursday night, 6sqft couldn't think of a better time to share Hungarian photographer Flora Borsi's thought-provoking "Forgotten Dream." Following a 2016 trip to Ellis Island, Borsi was moved and disturbed by the island that for decades provided a gateway for millions of immigrants to the United States, and a deathbed for another several thousand who were denied passage because of disease, mental instability, or a lack saleable skills, among other things. With a desire to commemorate the 3,500 people who died in search of a better life, Borsi scoured historical archives for photos of real immigrants who arrived at Ellis Island around the 1900s. Because the images were originally black and white and sometimes faded, Borsi added color and superimposed them against modern New York City scenes to connect them to present day. By bringing these forgotten immigrants into the city, she says "In this way, their dream came true."
see more from Borsi's series here
The Urban Lens: ‘Indecent exposure’ at Rockaway Beach in the 1940s
June 16, 2017

The Urban Lens: ‘Indecent exposure’ at Rockaway Beach in the 1940s

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, we share a set of vintage photos documenting Rockaway Beach in the 1940s. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. These days, beachgoers give nary a thought when stripping down to their skimpy bikinis and short-shorts, but 70 years ago wearing much more modest swimsuits was enough to get you a ticket from the NYPD. Noted LIFE magazine photographer Sam Shere (who's best known for his iconic photo of the Hindenburg disaster) documented this "indecent exposure" phenomenon at Rockaway Beach in 1946. Starting with a sign that reads "wear robes to and from the beach," Shere's series shows women sunbathing in high-wasted two-pieces, men walking the boardwalk in just their shorts, and the way in which these beach bums seem unphased by the cops writing them summonses.
See all the photos here
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The Urban Lens: 1940-50s Coney Island through the eyes of teenager Harold Feinstein
June 2, 2017

The Urban Lens: 1940-50s Coney Island through the eyes of teenager Harold Feinstein

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Born and raised in Coney Island, there was never a photographer better primed to capture the neighborhood's vibrancy than Harold Feinstein. "I like to think I fell out of the womb on to the fun park’s giant Parachute Jump while eating a Nathan’s hot dog," he told The Guardian in 2014, just before his passing in 2015. Indeed, Feinstein would take his first photo (using a Rolleiflex borrowed from a neighbor) at age 15 in 1946, beginning what would become an unwavering love affair with documenting the whizz, whirl and insatiable life that permeated his beachside locale. Although Feinstein would eventually move on to other subjects in various parts of New York City and the globe, over his nearly 70-year career he would always return to Coney Island for inspiration. "Coney Island was my Treasure Island," he said. Feinstein's Coney Island photos cover more than five decades, but ultimately his 1940s and 1950s snapshots--those taken when he was just a teenager--would cement his status as one of the most important photographers recording life in post-war America. Ahead, the Harold Feinstein Photography Trust shares highlights from this collection.
see the photos here
The Urban Lens: Peter Massini tours NYC’s public parks and sports fields from above
May 28, 2017

The Urban Lens: Peter Massini tours NYC’s public parks and sports fields from above

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, aerial photographer Peter Massini shares a series of warm-weather shots. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. Last summer, multi-disciplinary photographer Peter Massini shared one of his aerial series with 6sqft that captures NYC’s hidden rooftop patios and gardens. In his latest collection, he's taken a look down at the city's more publicly accessible green spaces--parks, ballfields, lawns, and more. Though we've seen many of these locations, like Central Park and Arthur Ashe Tennis Center, more times than we can count, we've never experienced them like this before, from 1,500 feet in the air. By shooting from a helicopter, Peter is able to get a unique perspective on recreation in the city and just how vast some of these locales actually are.
Get a look at this amazing aerial views
The Urban Lens: A tourist’s take on NYC in 1979
May 19, 2017

The Urban Lens: A tourist’s take on NYC in 1979

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, we share a set of vintage photos documenting NYC in 1979. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. In the spring of 1979, a 20-something Australian tourist came to NYC and was immediately struck by its fast pace and no-nonsense attitude ("there seemed to be an unwritten rule not to make eye contact or speak to strangers," he told Gothamist), as well as how much in disrepair parts of the city were, especially Harlem. He documented his experience through a series of color slides, which were recently rediscovered and present a unique view of how exciting, frightening, and mysterious New York was to an outsider at this time.
See all the historic photos
The Urban Lens: Travel back to the gritty Meatpacking District of the ’80s and ’90s
May 12, 2017

The Urban Lens: Travel back to the gritty Meatpacking District of the ’80s and ’90s

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, the Greenwich Village Society for Historic Preservation shares archival images of the gritty Meatpacking District from the 1980s to early 2000s. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. "Few parts of New York City have transformed as dramatically in the last decade or so as the Meatpacking District. Changes in the area are physical as well as spiritual. What was once a deserted ghost town by day, nightlife, sex club, and prostitution hub by night, and bustling workaday center of the Meatpacking industry from early morning to noon is now a glitzy, glamorized center of shopping, dining, tourism, strolling, and arts consumption," says Andrew Berman, executive director of the Greenwich Village Society for Historic Preservation. The organization recently released a collection of archival photos of the neighborhood's post-industrial grit, "before the Whitney, before the High Line, before Apple and Diane von Furstenberg, even before Sex and the City discovered the neighborhood." Ahead, 6sqft shares these images, from the 1980s to the mid-2000s, which document the major transformation that's taken place in just the past decade.
See all the photos here
The Urban Lens: ‘Zombie City’ exposes distracted New Yorkers in a gentrifying city
May 5, 2017

The Urban Lens: ‘Zombie City’ exposes distracted New Yorkers in a gentrifying city

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, fine art and portrait photographer James Maher exposes the changing face of NYC post 9/11. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. It all started at the University of Madison in Wisconsin with a surprisingly successful fake ID "business," which was James Maher's first introduction to portraiture and Photoshop. After moving back to his hometown of New York post-graduation, Maher studied at the International Center for Photography, assisted commercial photographers, and became a certified tour guide, exploring the architecture and streetscapes of the city. In 2006, he opened his own photography business, combining his varied interests, which also come through in his black-and-white series "Luxury for Lease," where New Yorkers are captured candidly against the background of New York. In it, Maher exposes how quickly things changed in the years after 9/11; instead of coming for "acceptance and freedom" and "a culture of creativity," wealthy persons from the suburbs and elsewhere began to move back "with an insatiable appetite." By snapping photos of distracted New Yorkers, many of whom are zombie-fied staring at their phones, Maher examines the "disconnection, hyper-gentrification, conformity, and consumerism" that's infiltrated our streets.
See the series here
The Urban Lens: Zooming in on New York’s captivating corner architecture
April 14, 2017

The Urban Lens: Zooming in on New York’s captivating corner architecture

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, Sam Golanski highlights New York's unique narrow and corner buildings. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. 6sqft recently featured Sam Golanki's photography series "Park Avenue Doormen," where he gave the men who safeguard the Upper East Side's ritzy buildings a chance to step out from behind the velvet ropes and in front of the camera. He's now taken a similar approach--albeit this time with buildings, not people--in his collection "Narrow and Corner Buildings." Choosing to forego iconic structures like the Flatiron Building, Sam instead focuses on small structures off the beaten path that may otherwise be overlooked. "I realized the corner is the center of each block, a place for small businesses, barbershops, and coffee shops," he said, explaining that he didn't pre-plan the series, but rather was drawn to these unique structures while strolling the city.
Get a look at all the photos
The Urban Lens: Sid Kaplan shares historic photos of the Third Avenue El coming down
April 7, 2017

The Urban Lens: Sid Kaplan shares historic photos of the Third Avenue El coming down

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6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. This week’s installment comes courtesy of a new exhibit at the Transit Museum, "Deconstruction of the Third Avenue El: Photographs by Sid Kaplan." Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected]. After the city consolidated its underground subway lines in 1942 (they were previously owned by private companies), fewer New Yorkers were riding the elevated lines. This decreased ridership, along with the fact that the Els ate up valuable street-level real estate and created dangerous dark spaces, led to the city taking down the Second Avenue Elevated line in 1942. In 1955, the Third Avenue Elevated came down as well, catching the eye of a then 17-year-old Sid Kaplan, whose photos of the dismantling are currently on display at the Transit Museum’s Grand Central Gallery Annex. The museum tells us, "From his perch on the roof of an apartment building, or leaning out the window of an office, his images capture a unique perspective of the removal of a hulking steel structure, the hard-working people who dismantled it, and the ever-changing landscape of New York City."
More on the El history, Sid's work, and all the amazing photos

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