6sqft’s ongoing series The Urban Lens invites photographers to share work exploring a theme or a place within New York City. In this installment, award-winning photographers James and Karla Murray return with a series of snapshots from last year’s debaucherous Village Halloween Parade. Are you a photographer who’d like to see your work featured on The Urban Lens? Get in touch with us at [email protected].
Started by Greenwich Village mask maker and puppeteer Ralph Lee in 1973, the Village Halloween Parade began as a “wandering neighborhood puppet show.” The event was a walk from house to house in Lee’s neighborhood, created for his children and their friends to enjoy. In the three years that followed, the parade took on new shapes and sizes, propelled first by George Bartenieff and Crystal Field of the Theater for the New City, who staged the production in its second year as part of their City in the Streets program; and then two years later when the parade became a non-profit with its own resources to put on a major show. By 1985, the parade morphed into an extravaganza that marched down Sixth Avenue, attracting 250,000 participants and onlookers. Today, the Village Halloween Parade is the largest celebration of its kind, considered by Festivals International to be “The Best Event in the World” for October 31st.
While the parade is now more spectacle than small-scale and community driven (as Ralph Lee wanted it to remain), there is no question that tens of thousands of costumed individuals can still find their place, and plenty of delight, in its latest incarnation.
As the current artistic and producing director, Jeanne Fleming, told us, “We make a Utopian society for a few hours when everyone can come together joyfully.”
In anticipation of the 2016 festivities—which will take place 7-11 pm on Monday, October 31st under the theme “reverie”—we share some of our favorite snapshots from last year’s affair, in addition to some fun facts about the parade.
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Jester. We started the evening at the Canal Street A, C, E station, where costumed participants began to spill out out of the subways while there was still some daylight and the atmosphere started to get electric.
At Canal Street. ONLY costumed marchers are allowed in the parade and you must enter at Sixth Avenue at Canal Street between 7 and 9 pm to ensure that you can participate in the parade.
a Catrina. As the sun began to set, we moved away from the subway exit towards Canal Street west of Sixth Avenue.
Owl. Crossing Canal Street, nearing 7pm, the sun has just set and crowds are gathering.
La Catrina Bride. Entering the General Admission area of the Parade.
General Admission area. We are placed into a huge gated area with other costumed participants
at Sixth Avenue near Grand Street. We are in a group with a very large Kermit the Frog.
Looking south down Sixth Avenue towards Canal Street. Revelers are let go every 15 minutes or so in small groups to move forward along Sixth Avenue.
Progress is slow with intersections kept clear with the use of blue ribbons.
ixth Avenue near Watts Street. Placed into another crowded penned in area our progress comes to a stand still and the revelers get restless.
For a pledge of $100 you can get a VIP Entrance to the Parade for you and a friend. The VIP Entrance will allow you a more spacious place to revel in the crowd.
Sixth Avenue near Broome Street. After an hour or so of shuffling inch-by-inch progress, we finally reach the floats.
Music and smoke machines get pumping and the mood of the impatient crowd starts to improve. Cheers are heard spreading up Sixth Avenue.
Further along Sixth Avenue near Broome Street. More participants and motor vehicles towing floats with DJs and dancers.
If you are in a band, performance group, or dance troupe and would like to “create a spectacle for the millions of people that line the parade route,
you can register with the parade.
Dia de los Muertos Couple at Sixth Avenue near Spring Street. The crowds are finally allowed to roam freely and the northward march along Sixth Avenue begins.
Elmo. Just north of Spring Street, we find this participant who is using the Parade as a platform for protest.
Instant Ramen Noodle. Sixth Avenue at Houston Street, the spectator crowds swell massively, with watchers on both sides of the Avenue cheering and shouting from inside their own penned in area. People also pack apartment windows and straddle light poles to get a better view.
Grandma on a Short Leash. Just north of Bleecker Street, the Parade reaches a fever pitch with everyone having a great time.
If you don’t have a costume, you can volunteer to animate a puppet by contacting the Parade organizers.
Sea Creature Keeper. The Parade welcomes participants of all ages. There is a costume contest during the Parade. If you are IN the Parade, you are IN the contest!
Secret scouts scour the parade and hand contact cards to those who are deemed to have the best costumes. Winners are then chosen from those who contact the Parade organizers.
Thousands of Parade marchers head north. Sixth Avenue near Minetta Lane. The crowds of spectators and marchers along the route reached a peak between Bleecker and 14th Streets.
We could hear a sea of cheering stretching northward. The Parade was fun, loud and awesome.
Artistic and Producing Director of the Village Halloween Parade, Jeanne Fleming, said that “crowds could reach to 2 million for the annual celebration.”
La Catrinas near Carmine Street. Light up hair extensions really stood out for us. The 2015 theme for the Parade was “Shine A Light,” based on Martin Luther King’s quote, “Darkness cannot drive out darkness: Only light can do that.”
The 2016 theme for the 43rd Annual Village Halloween Parade is “Reverie,” inviting one and all to recreate their waking dreams.
Each year the Parade and Dream Music Puppetry Program, led by veteran Parade Puppeteer Basil Twist and HERE Arts Center Co-Founder Barbara Busackino commission 3 artists or groups to design and construct Giant Pageant Sized Puppets built around the theme of the Parade.
Batman and his Batmobile. North of Carmine Street we run into the Batmobile rolling northward.
Only a limited number of motorized vehicles are allowed in the Village Halloween Parade and they all require prior arrangements with the Parade to get official permits. Motorized vehicles that just ‘show-up’ at the Parade will be kindly requested not to join the celebration and be turned away.
Skeleton. Near West 3rd Street. The relatively warm night and great weather make the march fun and the Village seems like the center of the world.
The Penguin and Cat Woman. Around West 4th Street. Comic book characters like these were popular this year.
Chained Up at West 4th Street. The street lighting improves dramatically.
Spiral. Near West 4th Street. The inventiveness of the costumes we have seen makes the blocks fly by.
Batmobile and crowds. Approaching Waverly Place we run into the Batmobile again. The number of spectators lining Sixth Avenue is staggering.
Waverly Restaurant. 6Ave at Waverly Place. The neon of one of our favorite diners lights up the crowd. We notice that many of the spectators are also in costume.
Drama masks. Near West 8th Street. Our pitbull Hudson who is walking the Parade with us is loving the cheers he hears
and enjoying the occasional sneaked bit of dropped candy, wrapper and all.
Spectators. Sixth Avenue at West 9th Street. Besides those lining the route in what seems at times to be hundreds deep, a reported television audience of one hundred million watch the spectacle annually.
Glamour. Near West 11th Street. We run into our Catrina friend from Canal Street who finally found her friends. The parade has been featured in many national magazines and travel guides, and has been a subject of study by leading cultural anthropologists.
Clown. Near West 12th Street. According to the New York Times, “the Halloween Parade is the best entertainment the people of this City ever give the people of this City.”
The Parade marchers are funneled eastward down 16th Street signaling the end of the Parade. We shuffle along slowly between more police barricades.
Neanderthal. At Union Square. The party continues as crowds pack the south end of the park.
Artistic and producing director Fleming said, “We make a Utopian society for a few hours when everyone can come together joyfully.” We can’t argue with that.
Grim Reaper.Union Square South. Parade marching is hungry business, even for Death itself. The Grim Reaper recharges his battery at one of the many food carts.
James and Karla Murray are husband-and-wife New York based professional photographers and authors. Their critically acclaimed books include Store Front: The Disappearing Face of New York, New York Nights, Store Front II- A History Preserved and Broken Windows-Graffiti NYC. The authors’ landmark 2008 book, Store Front, was cited in Bookforum’s Dec/Jan 2015 issue as one of the “Exemplary art books from the past two decades” and heralded as “One of the periods most successful New York books.” New York Nights was the winner of the prestigious New York Society Library’s 2012 New York City Book Award. James and Karla Murray’s work has been exhibited widely in major institutions and galleries, including solo exhibitions at the Brooklyn Historical Society, Clic Gallery in New York City, and Fotogalerie Im Blauen Haus in Munich, Germany, and group shows at the New-York Historical Society and the Museum of Neon Art in Glendale, CA. Their photographs are included in the permanent collections of major institutions, including the Smithsonian Center for Folklife and Cultural Heritage, the New York Public Library, and NYU Langone Medical Center. James and Karla were awarded the 2015 Regina Kellerman Award by the Greenwich Village Society for Historic Preservation (GVSHP) in recognition of their significant contribution to the quality of life in Greenwich Village, the East Village, and NoHo. James and Karla live in the East Village of Manhattan with their dog Hudson.
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Cat ladies are having a moment. In response to the sexist trope put forward by Republican Vice President candidate Sen. JD Vance, who called Democrats "childless cat ladies" who should have fewer voting rights, the theme for this year's annual Village Halloween Parade will be "Meow," a celebration of the "inner cat lady in everyone." Leading the parade this year as grand marshal is Tony Award-winning actor André De Shields, who recently starred as Old Deuteronomy in "CATS: 'The Jellicle Ball.'"
DETAILS HERE
Fifty years ago, Ralph Lee took a walk around Greenwich Village with his puppets on Halloween night. It resonated with people. A couple of years later, as part of the City in the Streets program, Theater for the New City stepped in and produced the event on a larger scale, hitting more Village streets and attracting more participants. After Lee stopped his involvement with the parade, Jeanne Fleming stepped in. Today, over four decades under Fleming’s careful eye as artistic and producing director, the Village Halloween Parade is a part of New York City’s cultural identity — an event that through hardship and triumph over the past 50 years, has remained a ritual.
more on on the iconic event here
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Details here
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Get ready to go gourd to gourd
The Village Halloween Parade may not be as completely outrageous as it once was, but this annual holiday extravaganza is quintessential Greenwich Village. Though many parade attendees are there to show off their costumes and check out those of others, there's a large number of guests who revel in the nostalgia of a New York tradition that's marched downtown since 1973. But there's a lot more history to the parade than most people may know. For instance, it didn't always go up 6th Avenue, and there's an entire art form behind those supersized puppets.
All the history right here
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A public art installation consisting of sculptures representing nine of the world's most endangered animals was unveiled on Friday. Created by husband-and-wife art duo Gillie and Marc, the six-foot-tall sculptures are located within Greenwich Village's Ruth Wittenberg Triangle. Each sculpture is accompanied by a QR code which spectators can scan to learn more about each of the animals as well as donate to the World Wildlife Fund, Gillie and Marc's charity partner. The exhibit will be on display until July 31 when its next location is announced.
Find out more
The Village Halloween Parade is officially back this year thanks to a major donation. The beloved event was scheduled to return after a pandemic-related hiatus, but a lack of funds threatened to cancel the 2021 parade, according to organizers. The parade set a fundraising goal of $150,000 by October 5, and with the help of 183 donors who contributed over $11,000 and Jason Feldman and his wife Missy who made up the difference, the spooky show will go on.
Details here
Though the Village Halloween Parade was just a small neighborhood gathering in 1973, it has taken place and grown every year since then except after Hurricane Sandy in 2012. This year, however, the beloved event is being cancelled for the second time ever due to COVID-19. Jeanne Fleming, who has been the director of the parade since 1985, broke the news yesterday to the Post, but promised New Yorkers a special "trick" in its place, though she's remaining mum on those details for now.
READ MORE
For many, celebrating Irish American heritage in March brings one to Fifth Avenue for the annual St. Patrick’s Day Parade, or perhaps a visit to St. Patrick’s Cathedral. But for those willing to venture beyond Midtown, there’s a rich Irish American history to be found in Greenwich Village and the East Village. While both neighborhoods became better known for different kinds of communities in later years – Italians, Ukrainians, gay men and lesbians, artists, punks – Irish immigration in the mid-19th century profoundly shaped both neighborhoods. Irish Americans and Irish immigrants played a critical role in building immigrant and artistic traditions in Greenwich Village and the East Village. Here are some sites connected to that great heritage, from the city's oldest intact Catholic Church to Irish institutions like McSorely's Old Ale House.
More here
Many artists have been inspired by the scenes of life in New York City, particularly Lower Manhattan. But perhaps no artist captures the feeling of New York during the hot, heavy days of August like the painter John Sloan. Sloan was one of the leading figures of the "Ashcan School" of artists of the early 20th century, a loosely-defined movement which took its name from a derisive reference to the supposed lowbrow quality and themes of their work, and the smudgy, impressionistic brushstrokes they utilized. His workaday subjects and hazy images of city life capture the heaviness of the air of New York during its dog days. Here’s a look at some of those paintings of life in our city 100 years ago.
See NYC through the eyes of Sloan
Fifty years have passed since the Stonewall Uprising changed New York City forever and gave the world a symbol of the struggle for LGBTQ rights and recognition. There are a seemingly endless number of ways to celebrate this milestone, learn about the history of the gay rights movement and enjoy a rainbow of diversity. Heritage of Pride, the nonprofit organization behind New York City’s official LGBTQIA+ WorldPride events, offers an interactive map to help navigate the many events planned this month. Below, you'll find 50 ways to celebrate Pride Month.
Pride, parades and parties, this way
James and Karla Murray are husband-and-wife New York based professional photographers and authors. Their critically acclaimed books include Store Front: The Disappearing Face of New York, New York Nights, Store Front II- A History Preserved and Broken Windows-Graffiti NYC. The authors’ landmark 2008 book, Store Front, was cited in Bookforum’s Dec/Jan 2015 issue as one of the “Exemplary art books from the past two decades” and heralded as “One of the periods most successful New York books.” New York Nights was the winner of the prestigious New York Society Library’s 2012 New York City Book Award. James and Karla Murray’s work has been exhibited widely in major institutions and galleries, including solo exhibitions at the Brooklyn Historical Society, Clic Gallery in New York City, and Fotogalerie Im Blauen Haus in Munich, Germany, and group shows at the New-York Historical Society and the Museum of Neon Art in Glendale, CA. Their photographs are included in the permanent collections of major institutions, including the Smithsonian Center for Folklife and Cultural Heritage, the New York Public Library, and NYU Langone Medical Center. James and Karla were awarded the 2015 Regina Kellerman Award by the Greenwich Village Society for Historic Preservation (GVSHP) in recognition of their significant contribution to the quality of life in Greenwich Village, the East Village, and NoHo. James and Karla live in the East Village of Manhattan with their dog Hudson.
